Course Details

Course Information
SemesterCourse Unit CodeCourse Unit TitleT+P+LCreditNumber of ECTS CreditsLast Updated Date
6ARCD115CREATIVITY2+1+03526.03.2026

 
Course Details
Language of Instruction English
Level of Course Unit Bachelor's Degree
Department / Program ARCHITECTURE
Type of Program Formal Education
Type of Course Unit Elective
Course Delivery Method Face To Face
Objectives of the Course This course examines creativity from the perspectives of neuroscience, psychology, and the creative arts, and aims to foster creativity through hands-on activities that incorporate techniques such as storytelling, intuitive painting, and creative writing.
Course Content This course explores creativity as a mode of thinking, perceiving, and engaging with the world. It combines theoretical perspectives with practice-based explorations to help students recognize, question, and expand their existing assumptions about creativity and creative action. The course begins with an introduction to major thinkers who have shaped contemporary understandings of creativity, followed by an examination of mental barriers, perception, and the role of observation in creative processes. Through exercises focused on form, material, and sensory engagement, students develop an awareness of how new meanings and possibilities can emerge from simple elements.
As the course progresses, students are introduced to creative thinking strategies such as bending, blending, and breaking, and are encouraged to experiment with uncertainty as a generative space for discovery. Individual and collective practices—including writing, making, and storytelling—support students in developing confidence in their creative capacities. In the later weeks, the focus shifts toward applying creative thinking methods to real-life contexts. Students identify recurring problems in their own educational experiences or daily lives, reframe them through creative strategies, and propose new pathways and solutions. The course concludes with a reflective synthesis of learning, preparing students to articulate and present their creative processes and insights.
Course Methods and Techniques The course adopts an experiential and student-centered approach that integrates theoretical inquiry with hands-on practice. Short lectures and discussions introduce key concepts and frameworks, while studio-based activities, reflective writing, and collaborative exercises enable students to internalize and apply these ideas. Emphasis is placed on learning through doing, observation, experimentation, and reflection.
Students are encouraged to explore, question, and reinterpret familiar forms and situations, developing an openness to uncertainty and alternative perspectives. Regular reflective practices support self-awareness and help students track their evolving understanding of creativity. Both individual and group activities foster dialogue, shared learning, and collective meaning-making. Through iterative processes of making, thinking, and reflecting, the course aims to cultivate creative confidence, flexible thinking, and the ability to approach everyday problems with originality and sensitivity.
Prerequisites and co-requisities None
Course Coordinator None
Name of Lecturers Dr. Keziban Gülen Göz gulen.goz@agu.edu.tr
Assistants None
Work Placement(s) No

Recommended or Required Reading
Resources Resnick, M. (2017). Lifelong kindergarten: Cultivating creativity through projects, passion, peers, and play. MIT Press.
Rubin, R. (2023). Yaratıcı eylem: Bir var olma bic¸imi. Domingo Yayınları.
Sawyer, K. (2025). Learning to see: Inside the world’s leading art and design schools. The MIT Press.
Csikszentmihalyi, M. (2018). Akıs¸: Mutluluk bilimi. Buzdagˆı Yayınları.
May, R. (1975). Yaratma cesareti. Metis Yayınları.
Course Notes Resnick, M. (2017). Lifelong kindergarten: Cultivating creativity through projects, passion, peers, and play. MIT Press.
Rubin, R. (2023). Yaratıcı eylem: Bir var olma bic¸imi. Domingo Yayınları.
Sawyer, K. (2025). Learning to see: Inside the world’s leading art and design schools. The MIT Press.
Csikszentmihalyi, M. (2018). Akıs¸: Mutluluk bilimi. Buzdagˆı Yayınları.
Dispenza, J. (2014). Kendiniz olma alıs¸kanlıgˆını kırmak. Butik Yayıncılık.
May, R. (1975). Yaratma cesareti. Metis Yayınları.
Campbell, J. (1949). The hero with a thousand faces. Princeton University Press.

Course Category
Social Sciences %100
Field %100

Planned Learning Activities and Teaching Methods
Activities are given in detail in the section of "Assessment Methods and Criteria" and "Workload Calculation"

Assessment Methods and Criteria
In-Term Studies Quantity Percentage
Yarıyıl İçi Çalışmalarının Başarı Notunun Katkısı 1 % 30
Uygulama Çalışmaları (Laboratuar,Sanal Mahkeme,Stüdyo Çalışmaları vb.) 1 % 30
Final examination 1 % 40
Total
3
% 100

 
ECTS Allocated Based on Student Workload
Activities Quantity Duration Total Work Load
Ara Teslim ve Jüri 1 10 10
F2F Dersi 13 3 39
Ev Ödevi 6 2 12
Sınıf İçi Aktivitesi 13 1 13
Okuma 13 1 13
Kişisel Çalışma 12 3 36
Final Sınavı 1 20 20
Total Work Load   Number of ECTS Credits 5 143

 
Course Learning Outcomes: Upon the successful completion of this course, students will be able to:
Bilgi 
1 Recognize and describe the concept of an innate creative self and its relevance to personal and academic development.
Beceri 
2 Practice and apply experiential exercises to access and strengthen their creative awareness and intuition.
4 Use creative thinking methods to approach everyday problems or personal projects with new and original perspectives.
Yetkinlik 
3 Examine the mental and cognitive dimensions of creative thinking using the methodologies introduced in the class.
5 Assess their own creative process and generate novel ideas or approaches informed by both experiential and cognitive techniques.

 
Weekly Detailed Course Contents
WeekTopicsStudy MaterialsMaterials
1 Introduction of the course. What did they say: The views of Mihaly Csikszentmihalyi, Mitch Resnick, Keith Sawyer, Ken Robinson, Rollo May, Donald Schon, John Dewey, Tim Ingold and Ellen Langer on Creativity
2 Recognizing the mental barriers to our creativity. What science says today about creative intelligence: insights from Tu¨rker Kılıc¸’s neuroscience research on creative intelligence
3 Learning to See: Creativity as a way of seeing the world differently, noticing patterns, and generating new meanings.
4 Starting from Tabula Rasa: What we know&learn about a simple dot and what are its potentials
5 Using Bending, Blending, Breaking as tools to  create  original forms following the creative learning spiral
6 Learning from Joseph Campbell: The hero with a thousand faces
7 Introduction to uncertainty: Exploring the creative potential inherent in uncertainty
8 Creativity as the capacity to engage with uncertainty
9 Creativity as the ability to act with uncertainty
10 Identifying recurring everyday problems and fixed patterns
11 Reframing the problem through creative thinking methods
12 Generating original pathways and solution proposals
13 Harvesting and reflecting on the course outcomes: Articulating a personal definition of creativity: synthesis of individual insights and experiences

 
Sustainable Development Goals
Contribution of Learning Outcomes to Programme Outcomes
P1 P2 P3 P4 P5 P6 P7 P8 P9 P10 P11 P12
In1 2 5 4 4 2 1 4 3
Sk2 1 4 4 4 3 2 4 2
Sk4 2 4 3 5 4 3 1 4 3
Co3 2 4 3 4 1 5 4 2 1 4 3
Co5 2 4 5 1 5 4 2 4 3

  Contribution: 1: Very Slight 2:Slight 3:Moderate 4:Significant 5:Very Significant

  
  https://sis.agu.edu.tr/oibs/bologna/progCourseDetails.aspx?curCourse=79705&lang=en